Built-in monitoring and an onboard headphone amplifier let you listen to your performance in real-time. Two stereo loopback channels make recording and mixing audio from multiple applications like Skype or Discord quick and easy. Revelator also provides three different polar patterns in one USB microphone to provide maximum flexibility.
#Saffire mixcontrol resets to 96k plus
16 easy-to-use, professionally-crafted presets and fully editable, award-winning StudioLive EQ and compression processing plus voice effects and reverb give you studio-quality sound with minimal effort. Whether you’re looking for a USB microphone for streaming, vlogging, podcasting, or a simple recording solution for voice-overs or your home studio, Revelator is designed to deliver polished, professional-sounding results with ease. Tags: Craig Anderton, Learn Studio One, PreSonus, PreSonus Audio, Studio One Impact XT Multiple Outs.mp3Ĭomments Off on Unlock the Power of Impact XT’s Multiple Outs The audio example’s first half plays what the loop would be like without processing, while the second half includes the processing-and that’s just the tip of the iceberg of what multiple outputs can do. This processing transforms a dancehall-type beat into something more chill. This is followed by the Open Air convolution reverb, which uses the “8.00s Thin” idealized reverb impulse from my Surreal Reverb Impulse Responses pack. The Cymbal goes through another Gate, set for a long attack time to give an attack delay effect.The Hat1 sound’s Analog Delay adds some motion.
The Kick channel has a send that feeds the Gate’s sidechain, so when the kick hits, it lets through the snare’s reverb.The Snare channel is going to a bus with Room Reverb, set for a loooong decay.So why bother doing all this instead of just using a stereo output? Because we can do all kinds of fun processing. Figure 2: The outputs have been named, and the drums go through a variety of processing. This lets you think of the console channels as sounds instead of just outputs. The names will then show up in the Instruments panel. Next, simplify your life by renaming the console channels to reflect the drum names (fig. It doesn’t hurt to check outputs you’re not using, but they’ll take up space in the console, and serve no purpose. Check the box that corresponds to each output that you’re using.
They’ll have an St (stereo) or M (mono) prefix, followed by the output number. You’ll see all the Impact outputs (you may have to scroll to see more than the 16 stereo outputs). Open the Instruments panel, click on the downward arrow, and choose Expand to see Impact XT’s outputs. Now we’ll have the drums show up in the console. Figure 1: Impact XT setup for sending 7 drums to specific outputs. All the drums go to their own outputs, except that Perc1 and Perc2 feed the same output because they’re going to be processed, and have their levels adjusted, simultaneously. 1 shows an Impact layout for a recent song.
More than one drum can feed a single output. You assign a drum to one of the 16 outputs by clicking on the little number in a pad’s lower right, and choosing from one of the 16 outputs, either stereo or mono. The reason for saying “potential” is that you can use as many as you want, in whatever configuration you want-all stereo, all mono, or a mix of mono and stereo outputs. Impact has 16 potential outputs, which can be mono or stereo. How Multiple Outputs Work, Part 1: Impact Setup We all know Impact XT is cool-but it’s at its coolest when you use the individual audio outputs, because then you can add exquisite effects to individual drums.
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